
Charles Mingus - East Coasting (Vinyl)
- 180 gram LP x 1 standard sleeve
- Mono Recording
- Recorded: August 1957, in New York City
Description
Charles Mingus is usually known for his wild, soulful and avant-garde compositions. âEast Coastingâ is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as âsoulfulâ in the traditional sense, but his introverted and sensitive style works well with Mingusâs music. His playing on âWest Coast Ghostâ (the albumâs stand-out track) and âCeliaâ are two examples of Evansâ ability to understand an artistâs musical vision and play accordingly in his own beautifully original style.
âEast Coastingâ sounds like the prototypical 1950s jazz recording. Itâs something one would hear in an attic converted to a bedroom where an artist or lonely soul might live. Itâs what a lot of people might believe Jazz would or should sound like. Highly recommended to Jazz lovers and perhaps more importantly- to young people who have just been blown away by Kerouacâs novel âOn the Roadâ and have become interested in exploring Jazz. âEast Coastingâ will allow them to get a taste of lost creative America. S. Wynn
Original: $30.99
-65%$30.99
$10.85Product Information
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Description
- 180 gram LP x 1 standard sleeve
- Mono Recording
- Recorded: August 1957, in New York City
Description
Charles Mingus is usually known for his wild, soulful and avant-garde compositions. âEast Coastingâ is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as âsoulfulâ in the traditional sense, but his introverted and sensitive style works well with Mingusâs music. His playing on âWest Coast Ghostâ (the albumâs stand-out track) and âCeliaâ are two examples of Evansâ ability to understand an artistâs musical vision and play accordingly in his own beautifully original style.
âEast Coastingâ sounds like the prototypical 1950s jazz recording. Itâs something one would hear in an attic converted to a bedroom where an artist or lonely soul might live. Itâs what a lot of people might believe Jazz would or should sound like. Highly recommended to Jazz lovers and perhaps more importantly- to young people who have just been blown away by Kerouacâs novel âOn the Roadâ and have become interested in exploring Jazz. âEast Coastingâ will allow them to get a taste of lost creative America. S. Wynn











